ABBAYE DE MAUBUISSON, Grange dîmière

AUX RIVAGES DE LA BELLE ÉPOQUE

From London to Paris

SATURDAY, JUNE 7TH 2025 - 18:00

Trio Zeliha
Manon Galy, violin
Maxime Quennesson, cello
Jorge Gonzalez Buajasan, piano

At the turn of the 20th century, two great trios bear witness to a radical evolution in chamber music. Ethel Smyth’s trio, composed in 1880 while she was still a student in Leipzig, is deeply rooted in Romanticism. Charlotte Sohy’s 1931 work, on the other hand, blends melancholy lyricism with far more daring harmonies. A program presented by the brilliant young Trio Zeliha!

Ethel Smyth recounts in her memoirs that the idea of studying in Leipzig came from a music-loving governess, and that in order to persuade her parents to allow her to do so, she refused to speak, to leave her room, or to go to church… In the end, she persuaded them to do so, and thus lived through a period she would describe as “the happiest of [her] life”. Her Trio, dating from 1880, is still marked by the influence of the composers and performers she passionately admired at the time, such as Clara Schumann and Johannes Brahms. However, Smyth would later leave Germany and Romantic music behind, and enter the twentieth century head-on. She met with decisive success with her opera Der Wald, presented at Covent Garden and then at New York’s Metropolitan Opera in 1903. That same year, she met Winnaretta Singer-Polignac, with whom she fell in love at first sight, and whom she visited in Paris in the spring. Did Smyth meet Charlotte Sohy on her travels to the continent in the years that followed? It’s possible – we know that Sohy’s husband, Marcel Labey, played for the Princesse de Polignac in 1905, and that after her wedding, she was a regular guest of another famous art salon, that of Marguerite de Saint-Marceaux. Smyth and Sohy both enjoyed the artistic ferment of the last decade of the Belle Epoque. But it was much later, in 1931, that Charlotte Sohy completed the composition of her Trio, premiered at the Salle Erard. Marked by a profound lyricism, the work also bears witness to the harmonic innovations of French music at the turn of the century, and to the irreversible upheavals in the musical world since the composition, fifty years earlier, of Smyth’s Trio.

PROGRAMME

AUX RIVAGES DE LA BELLE ÉPOQUE

Works by E. Smyth et C. Sohy

ARTISTS

Marie Oppert

TRIO ZELIHA

Trio Zeliha was born in 2018 out of the artistic complicity that sparkedbetween violinist Manon Galy, cellist Maxime Quennesson and pianist Jorge Gonzalez Buajasan. The three musicians have won numerous international competitions (Clara Haskil, KlavierOlymp BadKissingen / Jascha Heifetz…). Manon was also named Révélation at the 2022 Victoires de la Musique classique awards. Keen to serve the most diverse repertoire, Zeliha perform in prestigious settings such as the La Roque d’Anthéron, Rocamadour and Berlioz festivals, the Folles Journées in Nantes and Tokyo, the Easter Festival in Aix-en-Provence, the Sommets Musicaux in Gstaad… The trio regularly performs Beethoven’s Triple Concerto alongside orchestras such as the ONPL conducted by Gabor Takacs-Nagy, or recently on tour with the OCL and Renaud Capuçon, whom they count among their regular chamber music partners. They made their debut with the Orchestre philharmonique de Monte-Carlo and Bertrand de Billy in January 2025. Released in 2019 by Mirare, their first disc won praise from Menahem Pressler and Alfred Brendel, as well as 5 Diapasons, 5 stars from Classica. It was named “Editor’s choice” by Gramophone. A new disc devoted to the 2nd trios of Schubert and Shostakovich was released in May 2024 by the same label (5 stars Classica, 4T Télérama, Choix de Laure Mézan – Pianiste magazine). After working with Claire Désert, the Wanderer trio, François Salque and Luc-Marie Aguera, the three friends are currently honing their skills at the Chapelle Royale Reine Elisabeth in Waterloo. The Zeliha Trio are part of the Beau Soir Production company, under the aegis of Renaud Capuçon, and are in residence at the Fondation Singer-Polignac. They are individual laureates of the Banque Populaire, Safran and Charles Oulmont foundations.

HAVE YOU HEARD OF CHARLOTTE SOHY ?

Rita Strohl