CHÂTEAU DE VIGNY, Park

HORIZONS ROMANTIQUES

String quintets by Farrenc and Le Beau

SATURDAY, JUNE 28TH 2025 - 18:00

Quatuor Hanson
Anton Hanson, violin
Jules Dussap, violin
Gabrielle Lafait, violin
Simon Dechambre, cello

Héloïse Luzzati, cello

In the park of the magical Château de Vigny, Quatuor Hanson and cellist Héloïse Luzzati reveal two previously unpublished string quintets by two of the most famous female composers of the 19th century: French Louise Farrenc and German Luise Adolpha Le Beau. Two great Romantic chamber works with lavish writing ; Farrenc’s solemn, Le Beau’s melancholy.

Almost fifty years apart, the careers of Louise Farrenc (1804-1875) and Luise Adolpha Le Beau (1850-1927) illustrate the path of a successful 19th-century professional composer: Recognized by their peers (Farrenc was awarded the Prix Chartier, Le Beau was made an honorary member of the Salzburg Mozarteum), both composed a substantial symphonic output (Farrenc three symphonies, Le Beau a piano concerto and a symphony), as well as a fascinating chamber music corpus, including their string quintets. Le Beau’s quintet, composed in 1900, is a mature work, and was notably performed in concert at Baden-Baden. Farrenc’s is an adaptation of the Nonette for strings and wind instruments, and one of the composer’s few works that are still unpublished today. The words of the Revue et Gazette Musicale de Paris, written in 1875 on Farrenc’s death, could just as well have been applied to Le Beau: “if the general public is unaware of her name, it is up to the artists, who know what this eminent woman was worth, to pay tribute to her in the most useful way for her memory, that is, by making the creations of this distinguished mind heard from time to time”.

PROGRAMME

HORIZONS ROMANTIQUES

LOUISE FARRENC (1804-1875)
String quintet op. 38 in E-flat major

LUISE ADOLPHA LE BEAU (1850-1927)
String quintet op. 54

ARTISTS

Anne de Fornel

QUATUOR HANSON

The Hansons’ first album, a double disc devoted to Joseph Haydn (2019, Aparté), received rave reviews from the international press and was awarded a Diapason d’or de l’année and Choc Classica. Not all cats are grey, their second opus, explores the nocturnal worlds of 20th-century music. The Hanson Quartet has created its identity by exploring different horizons, working in particular with Austrian masters, while retaining a strong imprint of their French school heritage. An ensemble with a keen sense of curiosity, the Hanson Quartet is also passionate about composers of its time, such as Toshio Hosokawa, Wolfgang Rihm and Mathias Pintscher, whose Figura IV they performed (French premiere) at the IRCAM Festival. They recorded George Crumb’s striking piece Black Angels for amplified quartet live in August 2021 at the Deauville Festival (B.Records). Winners of numerous international prizes, including the Geneva Competition, the Hanson Quartet is supported by the Fondation Singer-Polignac, where the musicians are in residence, by the Fondation Corde Sensible (Fondation de France), and is a laureate of the Fondation Banque Populaire. They pursue an international career, performing at the Louvre Auditorium, London’s Wigmore Hall, the Philharmonie de Paris, Geneva’s Victoria Hall, Vienna’s ORF Kulturhaus, Barcelona’s Auditori, and play regularly in Asia. They are also invited to prestigious festivals such as La Folle Journée de Nantes and the Deauville Festival, and the resulting artistic encounters are an essential source of enrichment for them.
Héloïse Luzzati

HÉLOÏSE LUZZATI

Héloïse Luzzati is founder and director of the Cité des Compositrices. After her studies at the CNSMDP, she played in orchestras such as Les Dissonances, the Orchestre de l’Opéra National de Paris and the Orchestre National de France. In 2020, she founded the video channel La Boîte à Pépites, for which she writes and directs documentaries on female composers. A few months later, she launched the Festival Un Temps pour Elles, followed by its digital counterpart, the La Boîte à Pépites Advent Calendar. La Boîte à Pépites became a record label in 2022, with a highly successful first release devoted to Charlotte Sohy. A sheet music publishing house, La Boîte à Pépites Pubslihing, was created in its wake in 2023. Now internationally recognized for her expertise on women composers, Héloïse Luzzati collaborates with the most prestigious cultural institutions as part of the Cité des Compositrices initiatives: Bibliothèque nationale de France, Musée d’Orsay, Philharmonie de Paris, Abbaye de Royaumont… A passionate chamber musician, Héloïse also pursues her career as a cellist alongside such performers as Xavier Phillips, Célia Oneto Bensaid, David Kadouch, Raphaëlle Moreau, Manon Galy, Léa Hennino, Elsa Dreisig… Recognized for her work in favor of greater equality in musical programming, Héloïse Luzzati was named one of the “100 Women of Culture” in 2022, and was named “Chevalier des Arts et des Lettres” by the French Ministry of Culture.

HAVE YOU HEARD OF LOUISE FARRENC ?

Rita Strohl

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